September to December 2026. How we turn the busiest sidewalk in Texas into a full tasting room.
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FlorVino does not have a persuasion problem. Nearly everyone who tastes the wine buys it. What it has is a doorway problem, and a proof problem.
The doorway problem is that 1.6 million people walk past that address every year and most of them never know what is inside. The proof problem is that flower wine sounds like a novelty until someone gives you a reason to take it seriously.
Both are solvable this quarter, and both answers already exist inside FlorVino. Four years of competition medals, and a 5.0 rating across 398 Google reviews. Neither is being used.
Every one of the six wines has medalled every year since 2023. Two Platinums. Six class championships. Gold at the San Francisco International Wine Competition in three separate years.
None of it appears anywhere in FlorVino's marketing. Not on the website, not on social, not on the shelf talker, not on the door.
This is the single biggest opportunity in the plan. A wine made from flowers invites one of two reactions: how interesting, or how gimmicky. A wall of medals decides which one people land on before they have even tasted it. It turns a curiosity into a wine.
Every part of this plan now carries the medals: the door, the cards, the posts, the press pitch.
This surprised me, and it changed the whole plan. Before writing a single post I went looking for where people who walk into a place like FlorVino actually come from. It is not Instagram.
Social media matters. It is just not first, and building the plan as though it were would have put the effort in the wrong place.
The last number is the one that changed my thinking most. Reviews are usually the hard part, and FlorVino has already won that fight. The problem is that nobody outside Google can see it.
Good news on the second piece: the Google listing is confirmed claimed, so FlorVino can already reply to every one of those 398 reviews, control which searches it appears in, and post to the listing. At roughly twenty new reviews a month, that is twenty guests who took the trouble to write something. Replying to all of them is free reach nobody is using yet.
Every public review of FlorVino says the same three things in the same order. I had never heard of this. They gave me a taste. I bought bottles.
"We were offered a complimentary wine tasting from one of the servers as we walked by to visit the Alamo. We were blown away. We purchased a couple to take home."
Jamie G, Spindale, North Carolina · TripAdvisor · Five starsThat is the whole business model, and it happened by accident. Someone standing outside offered a stranger a taste, and the stranger became a customer in fifteen minutes.
The plan below is mostly about making that happen on purpose, more often, and making sure the people it happens to leave a review and post a video afterwards.
Everything within 200 feet of the entrance: an A frame with the tasting price, a window that says what is inside, signage that survives the Houston Street construction, and the free taste offered to people walking past.
You already have the hard half. The QR code has produced 398 reviews in 20 months, 395 of them five stars, at about 20 a month. Most independent businesses never get there, and nothing about how you collect them needs to change. What is missing is everywhere else: that rating lives on Google only, not the door, not the window, not the website, not a single post.
Instagram and Facebook, three posts a week, on the same three days every week. Built around one behaviour: someone sending a post to a friend who is coming to San Antonio.
FlorVino has no consumer press coverage at all. A California flower winery earned Wine Enthusiast and the San Francisco Chronicle on the same idea without spending anything.
Three posts a week. Tuesday, Thursday, Saturday. The days never move, so nobody has to decide anything. Two of the three are short video.
Every post is one of four things, and if an idea does not fit one of them it does not run.
Fifty one posts are already written out by date, each with the layout to use and one line of direction. Your designer builds eight templates once at the start, and after that every post is swapping a photo and a headline.
Small things, found while researching. None of them are hard and the first two are costing money right now.
The two shows are the most distinctive thing FlorVino sells. They are the reason a visit is an evening rather than a fifteen minute pour. I checked the page today and it cannot be bought from.
This is the cheapest fix in the whole plan. Twelve Friday and Saturday nights, two show times, and the dinner dates go onto the calendar once, and the page starts doing the job it was built for. Nothing else in this document beats putting dates on a page that already gets traffic.
I had Spirit Hills filed as a competitor. It is not. It is the same family, and that changes the strongest thing FlorVino has.
Here is what is public and checkable today. Hugo Bonjean runs Spirit Hills in Alberta, the CBC describes the family as coming from a long line of French winemakers, and their winery makes wine without grapes from dandelions and wild roses. Spirit Hills' own site puts the family's arrival in Alberta at 1997. Three of your six wines carry names that Spirit Hills has been selling for years: Dande, Wild Rosy and Yeehaa.
None of that is on the Our Story page. The page names the Bonjean family and calls it a nearly forgotten craft, and then gives no date, no place and no person. It says "years of blooms and batches" and "season after season." A reader finishes it knowing nothing they could repeat to a friend.
That is the proof problem, in one page. The medals answer "is this any good." The family answers "is this a gimmick," and it answers it harder than a medal does, because thirty years is not something a novelty brand can fake. It is also the difference between a press pitch that lands and one that does not. A new flower winery opening downtown is not a story. A family that has made wine without grapes for three decades, now pouring on Alamo Plaza, is one.
Good news, most of this is answered. Seven generations, Alberta then Texas after Covid, and you are fine saying it out loud rather than keeping it quiet. The one piece still open is where in France the family started, see Where things stand. That is what turns this into the specific version instead of the vague one, and it rewrites the Our Story page, the press pitch and half the September posts.
Easy to fix now, awkward later, and it is smaller than I first thought.
FlorVino should still not describe itself as the world's only flower winery, or the first. A winery in Oakland has made wine from hibiscus, rose and lavender since 2018, with coverage in Wine Enthusiast and the San Francisco Chronicle, and there are others in Los Angeles, Brooklyn and England. Spirit Hills is off that list now, but the rest of it still turns up in one search.
The home page currently opens with THE WORLD'S MOST UNIQUE WINERY. That is the line I would change. It invites a fact check and it says nothing. The lines already in the footer and on Our Story are stronger and all of them are true. Crafted from wildflowers, never grapes. A nearly forgotten craft, revived by the Bonjean family. Where we want scarcity, Texas' only flower winery holds up.
The sommelier quote is a smaller problem than I flagged before. An earlier version of that page had the Eric Beaumard line praising Spirit Hills by name. Since that is the same family, the honest fix is a wording change rather than pulling it: praise for the family's flower wine, not for a specific bottle it may not have been about. Worth settling before it goes on a poster.
Tasting price, show pricing and cadence, the six pack discount, and the non-alcoholic pour are all answered now, see Where things stand.
Everything else runs without you. Positioning, content and spend decisions stay yours.
Five numbers, once a month, no dashboard.
One target beyond that: at least one real press feature by December 31.
Worth saying plainly: there is no baseline yet. Nobody has recorded FlorVino's reach or follower numbers, so the first thing I do is capture where we are starting from. Otherwise none of the above means anything in January.
Updated 7 September. Everything below was read straight off florvino.wine and out of your own store that day, not carried over from an older note. Two emails went to you the same afternoon covering the urgent parts.
The France answer was open for weeks. It turned out to be published on florvino.wine/about the whole time, in the line about seven generations with still existing vineyards in Blanzat. That unblocks the Our Story rewrite and the press pitch.
The club is the only thing FlorVino sells that pays every month instead of once, and it works. The 6-pack takes payment right now at $167.76 every three months. But the club is advertised cheaper than it actually charges, on every tier.
Someone clicks join expecting one number and meets a higher one at payment. That is where the sale dies. The club page happens to carry the right figures, the join page does not, and the printed card in the tasting room is a fourth set again, right on the six pack and wrong on the twelve. Tell me which numbers you want to be true and every surface gets made to match, including the card.
You approved chasing this down. Four sites are confirmed with a live Galveston listing, checked on 7 September. The fourth site that was previously unnamed is Expedia.
These are third-party platforms, so closing them needs your own login on each. Send access, or forward the confirmation email from when each was first listed, and HazelPiper will draft the takedown request.
The catalogue holds 130 products. 89 of them are copies of Florvino Winery Tour and Tasting, 60 priced at $25 and 29 at $20. Another 13 are duplicate Meet the Winemaker, Flower to Glass Adventure, Time with Hugo and Access Pass entries, most showing $0.00.
That is most likely the events plugin making one product per date rather than anyone duplicating by hand, so it needs confirming rather than assuming. Either way, a catalogue that answers with 89 near identical products is hard for a customer and a search engine to read.
The A frame and the window poster are front one in this plan, and they are the only thing in here that reaches somebody who has never heard of flower wine. Both are already designed at print size. The only thing missing is which way you want them to read.
Three directions below. They are genuinely different, not the same idea in three colours, so picking one is a real choice. Say a letter and I will build both pieces to it.
C on the A frame, A in the window.
The A frame sits closest to the moment somebody decides whether to come in, and for most people price and value is the biggest factor in that decision. Your own best review is somebody walking past on their way to the Alamo, being offered a free tasting, staying for six wines and buying bottles. That already happens by accident. The A frame is how it happens on purpose.
The window is a different job. Somebody reading a window has already stopped, so they have time for a scoreboard. That is where four years of medals earns its place.
B is the stronger direction for the feed and for a press pitch, and I would rather not spend it on the sidewalk.
Nobody knows how many people walk in on an average day, or how many of those buy something. Without those two numbers there is no honest way to tell you afterwards whether the sign worked.
A rough count over one normal week is enough. Until then I will use bottles sold per day at the till, compared week to week from the day the A frame goes out, and I will call it a rough guide rather than proof, because it cannot separate the sign from the weather or the parade.
Nothing else on this page has changed.
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